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Antigone(s): Ancient Greece/Performance Now

Semester and Year FA 2016
Course Number IDSEM-UG1705
Section 001
Instructor Kristin Horton, Laura Slatkin
Days T
Time 3:30 PM - 6:10 PM
Units 4
Level U
Requirement   HUM, PREMOD



A production of  Antigone  is taking place somewhere in the world every day—right now, as you are reading this. What was  Antigone ? What is  Antigone ? What might  Antigone  yet be? Our course—a collaboration between a stage director and a classicist—begins with an immersion in Sophocles' prize-winning play (441 BCE), with close attention to the history, politics, aesthetics, performance conditions, and production features of ancient Athenian drama more generally. The second half of our course turns to contemporary renditions of  Antigone  and will consider the dramatic and cultural configurations each new production activates.  Antigone's  exploration of the complexities of gender, kinship, citizenship, law, resistance to authority, family vs. the state, and religion (among other issues) has been compelling for modern thought, and especially galvanizing to theaters of resistance and dissent. Our classes will combine critical inquiry into the plays and surrounding discourse as well as experiments in interpretation—including acting workshops and staging exercises. Students need no background in acting, theater, or ancient literature, but do need critical energy and discipline. Among the modern plays we might address, in the second half of the semester, are reimaginings of  Antigone  by Brecht, Fugard, McLaughlin, and Miyagawa. To help us place antiquity and modernity in a productive conversation, we will also read secondary literature from several fields (classics, political theory, anthropology, theory of sexuality/gender).


All Syllabi

Course Type

Interdisciplinary Seminars (IDSEM-UG)