Struggles between nativisms and globalisms in architecture have produced significant iterations in South Asia; architecture’s modern practices and discourses within and outside the region have refracted a colonial and imperial imagery, national visions, regional and vernacular aesthetic inflections, and artistic, urban, and territorial worldviews. This course will focus on a history of architecture and planning that interrogates a history of South Asian modernism and modernity, examining constructions of each from within and beyond the subcontinent and its diasporas, through architecture’s many forms, including artifacts and practices of formal and informal building, territorial construction, photographic representation and other spatial imagery, criticism and writing, pedagogy, exhibitions and other public activity, and discourses on aesthetics. Course material spans the mid-nineteenth century to the present, and includes the study of work by both celebrated and little-known actors such as Edwin Lutyens, Otto Koenigsberger, Minnette de Silva, Louis Kahn, Charles Correa, and Brinda Somaya, and the projects of institutions and initiatives such as the Archaeological Survey of India and the Urban Study Group in Bangladesh. We will explore a range of writings, from Sir Banister Fletcher’s A History of Architecture to the journals MARG and Mimar, as well as architectural pedagogy as introduced to the subcontinent (and the colonies) in the Sir J.J. School of Art in what was once Bombay, and much later in the Centre for Environment Planning & Technology (CEPT) School of Architecture in Ahmedabad. We will also examine formal and informal urbanisms of sites such as Delhi, Chandigarh, Dhaka, and Dharavi, as well as geographies and architectures of war, scarcity, and borders, for which South Asia has become emblematic.