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African Diasporic Art and Spirituality in the Americas: Honey is my Knife

Semester and Year FA 2018
Course Number IDSEM-UG1372
Section 001
Instructor Dan Dawson
Days Mon
Time 3:30 PM - 6:10 PM
Units
Level U
Requirement  
Humanities
Premodern or
Early Modern or
Global Cultures

Notes/Restrictions

Description

This seminar will investigate the cultural contributions of Africans in the formation of the contemporary Americas. There will be a particular focus on the African religious traditions that have continued and developed in spite of hostile social and political pressures. Because of their important roles in the continuations of African aesthetics, the areas of visual art, music and dance will be emphasized in the exploration of the topic. This seminar will also discuss two important African ethnic groups: the Yoruba of Southwestern Nigeria, and the Bakongo of Central Africa. It will highlight the American religious traditions of these cultures, e.g., Candomblé Nago/Ketu, Santeria/Lucumi, Shango, Xangô, etc., for the Yoruba, and Palo Mayombe, Umbanda, Macumba, Kumina, African-American Christianity, etc., for the Bakongo and other Central Africans. In the course discussions, the Americas are to include Brazil, Cuba, the Dominican Republic, Haiti, Jamaica, the United States and numerous other appropriate locations. There will also be a focus on visual artists like Charles Abramson, Jose Bedia, Juan Boza, Lourdes Lopez, Manuel Mendive, etc., whose works are grounded in African based religions. In addition, we will explore how African religious philosophy has impacted on every-day life in the Americas, for example in the areas of international athletics, procedures of greeting and degreeting, culinary practices, etc.

Syllabus

All Syllabi

Course Type

Interdisciplinary Seminars (IDSEM-UG)