|Semester and Year||SP 2013|
|Time||11:00 AM - 1:45 PM|
This course examines the effect of electronics on the inventions and the artistic and social activities that shaped musical thought throughout the twentieth century and into today. From the initial “magic” of capturing sound through recording - until the invention and development of electrical and electronic musical instruments, these changes in art and music during the century of electronica were unique and often mind-blowing. The interaction of impressionism, “modernism”, abstract art and dadaism on musical compositions during their times are explored as are the profound effect of both analog and digital devices on creativity and performance. The primary text is Electronic and Experimental Music by Thom Holmes, and recommended readings include Analog Days , by Pinch and Trocco; Theremin , by Albert Glinsky; and Electroacoustic Music , by Herbert Deutsch.
Interdisciplinary Seminars (IDSEM-UG)