|Semester and Year||SP 2013|
|Time||4:55 PM - 6:10 PM|
This seminar focuses on the development of interdisciplinary approaches in art practices from the 1960's to the present. Course material begins with Dick Higgins’ concept of ‘intermedia’, which was initially used to propose interdisciplinarity as the necessity of crossing genres, such as using painting, performance, video, film, poetry, and theatre as part of a viable artistic practice. By moving away from privileging one medium over another, this approach, which we explore, aimed at challenging notion of authenticity in art and erasing the boundary between producer and viewer as well as between linguistic and visual production. Consideration is then given to contemporary interdisciplinary methods. Course investigations are also framed by questions pertaining to the place of ethics and critical discourses in art; the shape and aesthetic that ‘critical’ art projects assume; as well as the relevance and limits of political and critical art projects in exhibition systems. In addition to reading texts from writers such as Amelia Jones, Hal Foster, Nicolas Bourriaud, Andrea Fraser, Liam Gillick, and Miwon Kwon, there will be visits to exhibitions within the city.
Interdisciplinary Seminars (IDSEM-UG)