|Semester and Year||WI 2011|
|Time||10:00 AM - 1:30 PM|
|Foundation Requirement||HUM, PREMOD, EARLY, GLOBAL|
The Arabian Nights (The Thousand and One Nights) is one of the most fascinating "world" texts. Since its translation to and publication in European languages it has captivated the imagination of countless writers and artists such as Poe, Joyce, Borges, Mahfouz, Rushdie, and Pasolini. It continues to plays a disproportionate role in constructing and perpetuating an essentialized and imaginary East, populated by violent and hypersexual beings. The narratives of the Nights and the cultural archive they have spawned have had a fascinating influence on literary and artistic production, popular culture and political imagination. The course introduces students to this important world masterpiece and the debates surrounding it. We will start out by briefly tracing the genealogy of this collectively authored and anonymous text, its collection and versions and the cultural context of its translation and popularity in the west. We will then explore the literary structure and narrative strategies and dynamics of the Nights, read some of its most famous cycles and discuss how they have been read from a variety of perspectives, focusing primarily on gender and sexuality, power and politics, and otherness and boundaries. In the last part of the course we will read some of the modern literary works inspired by the Nights (Borges, Mahfouz, and Rushdie) and will watch how the Nights fared in adaptations in Hollywood, Bollywood, and elsewhere and will end with a film by the Italian director Pasolini. All readings will be in English. In addition to the Nights, readings may include Said, Mahfouz, Borges, Rushdie and others.
Interdisciplinary Seminars (IDSEM-UG)