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Kristin Horton

Kristin Horton

Associate Professor of Practice
B.A. Religion, Emory University, 1994
M.F.A. Directing, University of Iowa, 2003

Kristin Horton is a director primarily interested in developing new work, re-imagining classics, and producing public events that create forums for dialogue and action concerning urban democracy and the arts. Her new play collaborations have appeared at the Contemporary American Theater Festival, Working Theater, HERE, NYC Summerstage, William Inge Playwrights’ Festival, The Playwrights’ Center in Minneapolis, Workhaus Collective, and National Black Theatre Festival, among others. She has a long-time association with the Lark Play Development Center, where she has directed many of its programs, including the US-Mexico Exchange, Playwright’s Week, and Barebones Series, as well as several programs for alumni writers including The Playground and Winter Writer’s Retreat. At the Lark, she has worked with a diverse range of writers including Rajiv Joseph, David Henry Hwang, Samuel D. Hunter, Lisa Kron, Chisa Hutchinson, Katori Hall, Steve Drukman, Lloyd Suh, Caridad Svich, Chiori Miyagawa, Saviana Stanescu, Elaine Romero, Dano Madden, Andrew Rosendorf, and Jeanne Sakata. She is the recipient of the 2013-2014 Gallatin Dean’s Award for Excellence in Teaching, an award which recognizes educators for their outstanding teaching; their ability to inspire their students; a pedagogical approach that is creative and rigorous; expert advising and mentoring skills; and contributions to their field.


Professor Kristin Horton directed the world premiere of Dead & Breathing by Chisa Hutchinson at the Contemporary American Theater Festival. She and Hutchinson have been commissioned as part of a playwright/director team by Working Theater to create a play inspired by and about Staten Island as part of The Five Boroughs/One City Project. A workshop of the play, featuring the actors Robbie McCauley and Arthur French, was presented at the Abingdon Theater in May 2015.

In the fall of 2014, Professor Horton produced the Roman Tragedies Festival, an examination of Shakespeare’s Roman tragedies through a series of performances, readings, conversations and screenings. As part of the festival, she directed a devised adaptation of Shakespeare's long poem, "The Rape of Lucrece." The festival also featured collaborations and partnerships with the Urban Democracy Lab, Fiasco Theater, and Show Us Womanish, an all-female student performance ensemble.

Along with Matthew Gregory, she organized a staged reading and a panel discussion of Sulayman Al-Bassam’s play The Al-Hamlet Summit in March 2014 at Gallatin. She directed Hamlet for the Riverside Theatre in the Park in Iowa City, IA in April 2014. Horton has been an Artistic Associate of Riverside Theatre, one of Iowa’s few professional theater companies, for over a decade. In the fall of 2013, she directed a reading of Christopher Cartmill’s Home Land for New York’s Theater East. She continued her affiliation with the Lark Play Development Center by serving as a member of the Middle East America Initiative. She directed the world premiere of Chisa Hutchinson’s Dead & Breathing at the Contemporary American Theater Festival during the summer of 2014.  


Contact Information

Kristin Horton

Associate Professor of Practice
411 Laf, Room 303
(212) 992-9831
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Office Hours
Monday Sabbatical
Tuesday Sabbatical
Wednesday Sabbatical
Thursday Sabbatical
Friday Sabbatical


2015 Spring

Directing for the Twenty-first Century
Tue 3:30 PM - 6:10 PM

2014 Spring

Advanced Shakespeare Scene Study: Roman Tragedies
Tue 3:30 PM - 6:10 PM

2014 Fall

Iphigenia(s): War, Sacrifice, and Politics in Performance
Tue 3:30 PM - 6:10 PM

2013 Spring

Advanced Shakespeare Scene Study: The Histories
Tue 3:30 PM - 6:10 PM

2013 Fall

Master's Thesis Seminar
Tue 6:20 PM - 9:00 PM

Research and Teaching Interests

directing; new play development; Shakespeare in performance; W. B. Yeats; Caryl Churchill; religion and theater; process drama; puppetry; theater for social change; cross-cultural dialogue

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