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Kwami Coleman

Assistant Professor, Faculty Fellow
kwami.coleman@nyu.edu
(212) 992-6323
411 Laf, Room 373

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Office Hours
Monday By Appt
Tuesday By Appt
Wednesday By Appt

Kwami Coleman is a pianist, composer, and musicologist specializing in improvised music. His research interests include experimental music history, jazz history, the history and music cultures of the African Diaspora, the political economy of music, music technology, aesthetics, and cultural studies. Kwami is currently working on a monograph of Miles Davis and the jazz avant-garde and articles on black musical avant-gardism and historiography, the pianist/composer Andrew Hill, and the authenticity wrought by locality in African American music culture of the last century. He is also actively engaged in several music projects including his own recording of original compositions for small ensemble. Kwami is a founding member of the Afro-Latin@ Forum, a non-profit organization devoted to the study and increased visibility of Latinos of African descent in the United States, now housed in NYU’s Steinhardt School.

Teaching and Research Interests

improvised music; twentieth and twenty-first century music; experimental and electronic music; music technology and mass media; aesthetics and historiography; diasporic studies; race and ethnicity; modernity and postmodernity

Kwami Coleman

Education

B.A. & M.A. Music and Musicology, Hunter College, CUNY, 2007
Ph.D. Musicology, Stanford University, 2014

Recent News

In February 2017, Gallatin Faculty member Kwami Coleman released the Kwami Coleman Trio's debut jazz album Local Music. The release features 10 original compositions, some of which interpolate field recordings that captured between 2014-16 in Coleman's neighborhood of Harlem.

Coleman, with the other members of the Kwami Coleman Trio, performed songs from the forthcoming album, Local Music, at Harlem Stage on March 2, 2016.   

Coleman organized and will moderate a panel in the 24th International Duke Ellington Study Group Conference, which will be held in New York, New York on May 19-22, 2016.

His article “Everyone's Creative: George E. Lewis and Ubiquitous Improvisation,” was published in the Teachers College Record, Vol. 117, No. 10.

Coleman was a panelist at the NYU-sponsored symposium on the artist Jean-Michel Basquiat, Basquiat: Still Fly at 55, held in Brooklyn, New York on March 26, 2016. 

He will play at a gala to benefit the SBI Performing Arts Program at A. Philip Randolph High School in Harlem on May 19th, 2016.

 

 

 

 

 

 

Courses

2017 Spring

In with the Old, Out with the New: Debates on "Tradition" in Western Music

2016 Spring

In with the Old, Out with the New: Debates on "Tradition" in Western Music

2016 Fall

Hearing Difference: The Commercial Music Industry and the American Racial Imaginary

2015 Fall

Hearing Difference: The Commercial Music Industry and the American Racial Imaginary

2015 Spring

In with the Old, Out with the New: Debates on "Tradition" in Western Music