Skip Navigation

Lauren Walsh

Part-time Faculty
(212) 992-7772
1 Wash Pl, Room 431

Download as vCard

Lauren Walsh is co-editor, with Ofra Amihay, of The Future of Text and Image: Collected Essays on Literary and Visual Conjunctures (Cambridge Scholars, 2012). She has published in The Los Angeles Review of Books, Photography and Culture, The Romanic Review, The Journal of American History, The New Republic, and Nomadikon, among others, and has contributed articles to numerous anthologies in addition to her appearances on CNN, the radio program “Trading Fours,” and as an expert on photography in the documentary 9/11: Ten Years Later (RAI 2011). Her research concentrates on questions of historical memory and visual media. She is interested in the politics and ethics of photography, and in exploring intersections of literature and visual culture. Walsh focuses particularly on photojournalism, with a specialty in conflict photography. She is the director of Gallatin's Summer Photojournalism Lab.

Teaching and Research Interests

Photography (theory, culture, history of, ethics, in literature); Media studies and critical theory; 20th- and 21st-century literature; Memory studies; Visual culture; War Reportage; Journalism and social activism

Lauren Walsh


B.A. Comparative Literature,, Columbia University, 2000
M.A. English & Comparative Literature, Columbia University, 2002
M.Phil. English & Comparative Literature, Columbia University, 2004
Ph.D. English & Comparative Literature, Columbia University, 2008

Recent News

Lauren Walsh will give the keynote, “Iconic Photos and their Impact on Society—Yesterday, Today, and Tomorrow,” at the 2016 LDV Capital Vision Summit in New York, New York, in May 2016.

With Keith Miller, Professor Walsh curated the photo show Lost to History: Covering Conflict in the Age of the Eternal Present, held in The Gallatin Galleries from September 16 to October 14, 2015.

In July 2015, Professor Walsh spoke at the Morbid Anatomy Museum in Brooklyn, giving a talk titled “Souvenir, Trophy, Crime: Photography and War in the Digital Age.”

Walsh’s essay “Text, Image, Memory: Intermediality in the work of Péter Nádas” is forthcoming in late 2016 in Hungarian Literature and Its Intercultural Contexts: Translation, Cultural Memory, Comparative Scholarship, edited by András Kiséry, Zsolt Komaromy, and Zsuzsanna Varga.

Her translation (from the French) of “New Tendencies in Jazz” by Albert Murray is forthcoming in late 2016 in Murray Talks Music, edited by Paul Devlin.

In November 2014, Professor Walsh gave the closing address at the symposium Albert Murray: His Life and Work, at the Schomburg Center for Research in Black Culture in New York City. Professor Walsh spoke at Columbia University on Albert Murray and Thomas Mann in February 2016.

Her book in progress, Conversations on Conflict Photography and Public Apathy, focuses on coverage of war and humanitarian crises.

Walsh’s other current project, a joint endeavor with Ron Haviv called Biography of a Photo, took her to Panama over the 2016 spring break, where she and Haviv met with President Juan Carlos Varela, among others, about their research.

Professor Walsh wrote the introductory essay, “Swimming in the Unreliable Shadow of Memory,” for Ron Haviv’s The Lost Rolls (2015), which won an American Photography juried award (2016). Her related piece “The Lost Rolls and the Unreliable Shadow of Memory” ran in the New Republic in March 2016.

In April 2016, Professor Walsh will be giving a talk as part of the Double Take reading series at Apexart in NYC 


2016 Spring

Photography through the Lens of Magnum and VII

2016 Fall

First-Year Interdisciplinary Seminar: Race and Photography

2015 Spring

Issues in Urban Journalism: New York City and the News

2015 Fall

Contemporary Visual Culture and the Politics of Images

2014 Fall

Contemporary Visual Culture and the Politics of Images