Lauren Walsh is co-editor, with Ofra Amihay, of The Future of Text and Image: Collected Essays on Literary and Visual Conjunctures (Cambridge Scholars, 2012). She has published in The Los Angeles Review of Books, Photography and Culture , The Romanic Review, and Nomadikon , among others, and has contributed articles to numerous anthologies in addition to her appearances on CNN, the radio program “Trading Fours,” and as an expert on photography in the documentary 9/11: Ten Years Later (RAI 2011). Her research concentrates on questions of historical memory and visual media. She is interested in the politics and ethics of photography, and in exploring intersections of literature and visual culture. Walsh focuses particularly on photojournalism, with a specialty in conflict photography.
B.A. Comparative Literature,, Columbia University, 2000 M.A. English & Comparative Literature, Columbia University, 2002 M.Phil. English & Comparative Literature, Columbia University, 2004 Ph.D. English & Comparative Literature, Columbia University, 2008
With Keith Miller, Professor Walsh curated the photo show Lost to History: Covering Conflict in the Age of the Eternal Present, held in The Gallatin Galleries from September 16 to October 14, 2015.
In July 2015, Professor Walsh spoke at the Morbid Anatomy Museum in Brooklyn, giving a talk titled “Souvenir, Trophy, Crime: Photography and War in the Digital Age.”
Walsh’s essay “Text, Image, Memory: Intermediality in the work of Péter Nádas” is forthcoming in 2016 in Hungarian Literature and Its Intercultural Contexts: Translation, Cultural Memory, Comparative Scholarship, edited by András Kiséry, Zsolt Komaromy, and Zsuzsanna Varga.
Her translation (from the French) of “New Tendencies in Jazz” by Albert Murray is forthcoming in 2016 in Murray Talks Music, edited by Paul Devlin.
In November 2014, Professor Walsh gave the closing address at the symposium Albert Murray: His Life and Work, at the Schomburg Center for Research in Black Culture in New York City.
Professor Walsh has been invited to speak at Columbia University on Albert Murray and Thomas Mann in February 2016.
Her book in progress, Conversations on Conflict Photography and Public Apathy, focuses on coverage of war and humanitarian crises. Professor Walsh wrote the introductory essay, “Swimming in the Unreliable Shadow of Memory,” for Ron Haviv’s The Lost Rolls,which was published in November 2015.