Re-visioning the classics, often in a subversive mode, has evolved into its own genre in recent years, and many of these literary and performance texts have been shaped by modernist and postmodern narrative innovations and avant-garde theatrical strategies. Several of these works are also informed by ideological criticism that reads “against the grain” of the “master-works” to produce new meanings. However, the revisionist genre also develops a tradition of literary and dramatic renderings of canonical works that look for continuity even in the context of stylistic invention and contemporary themes. This course examines assumptions and conventions surrounding intertextuality—the multiple ways in which texts and productions echo or are linked to earlier renditions. Readings (and viewings) include imaginative reinterpretations of myth, classical and modern drama, the novel, narrative poetry, dance performance as well as theoretical readings on revision and adaptation. Authors and artists may include: Aeschylus, Shakespeare, Henry James, Ola Rotimi, Joyce Carol Oates, Paula Vogel, W.B. Yeats, Adrienne Rich, Martha Graham.