Clinical Associate Professor
1 Wash Pl, Room 705
B.M. Music, University of Minnesota, 1994
M.A. English, CUNY Hunter College, 1996
Ph.D. English, CUNY Graduate Center, 2004
Gregory Erickson has taught at the Gallatin School since 2004, specializing in courses on modern literature, popular culture, religion, and music including “Writing Twentieth-Century Music and Culture;” “Beyond Language: The Surreal, the Mystical, and the Monstrous;” and “Contexts of Musical Meaning.” He is the author of The Absence of God in Modernist Literature (Palgrave Macmillan, 2007) and the coauthor, with Richard Santana, of Religion and Popular Culture: Rescripting the Sacred (McFarland, 2008). He has also published in journals such as the Henry James Review and the Journal of Popular Music Studies and in several scholarly collections of essays on television. Erickson is trained as a literary scholar and as a classical musician and performs regularly with professional orchestras and chamber ensembles. He is currently working on a book on heresy and the modern literary imagination.
Gregory Erickson, Clinical Associate Professor at Gallatin, has been awarded a 2016-2017 Distinguished Teaching Award from NYU, the University’s highest honor for faculty. The Distinguished Teaching Award is presented annually to outstanding full-time NYU faculty members who have contributed significantly to the intellectual life of the University through their teaching.
Erickson joined Gallatin in 2004, teaching courses on modern literature, popular culture, religion, and music. In 2016, Professor Erickson’s teaching was recognized with a 2015-2016 Dean’s Award for Excellence in Teaching from Gallatin, an award established to recognize educators for their outstanding teaching; their ability to inspire students; a pedagogical approach that is creative and rigorous; expert advising and mentoring skills; and contributions to their field. He is the author of The Absence of God in Modernist Literature (Palgrave Macmillan, 2007) and the coauthor, with Richard Santana, of Religion and Popular Culture: Rescripting the Sacred (McFarland, 2008).
In addition to Erickson, the following five professors were also recognized: Elena P. Cunningham, Clinical Associate Professor, Department of Basic Science and Craniofacial Biology, College of Dentistry; Benard P. Dreyer, Professor, Director of Developmental-Behavioral Pediatrics, Tisch Hospital; Director of Pediatrics, Bellevue Hospital Center, NYU School of Medicine; John J. Gershman, Clinical Professor of Public Service, Co-Director of Capstone Program, Robert F. Wagner Graduate School of Public Service; John Halpin, Professor of Chemistry, Faculty of Arts and Science; and Heidi E. White, Clinical Professor of Humanities, Liberal Studies.
Gregory Erickson's Religion and Popular Culture: Rescripting the Sacred, 2nd Edition was published by McFarland.
Gregory Erickson and Richard Santana's Religion and Popular Culture: Rescripting the Sacred was published by McFarland.
Gregory Erickson's The Absence of God in Modernist Literature was published by Palgrave Macmillan.
20th-century American and European literature; James Joyce; religion and literature; 20th-century music; music and literature; postmodernism; cultural studies; television studies
AWARDS AND HONORS
Professor Gregory Erickson was awarded a 2019 John Bratzel Grant from the Popular Culture Association; Conference on Christianity and Literature Research Grant; and a University of Buffalo Humanities Institute James Joyce Fellowship.
Erickson was awarded a 2017 University Distinguished Teaching Award. The award recognizes faculty who have contributed significantly to the intellectual life of the University through their teaching.
Erickson received a 2015-2016 Dean’s Award for Excellence in Teaching. The award was established in 2009 to recognize educators for their outstanding teaching; their ability to inspire students; a pedagogical approach that is creative and rigorous; expert advising and mentoring skills; and contributions to their field.
Erickson was co-editor of and contributor to Reading Heresy: Religion and Dissent in Literature and Art (De Gruyter, 2017).
A new revised and updated second edition of Religion and Popular Culture: Rescripting the Sacred, which Erickson wrote with Richard W. Santana, has been released by McFarland.
Erickson contributed “James Joyce’s Ulysses and the Medieval Eucharist: Fragmented Narratives of Doubt and Creation” to Devotional Interaction in Medieval England and Its Afterlives (Brill, 2018).
Erickson's article: “Arius and the Vampire: Figures of Heresy and Disruption in James Joyce’s Ulysses” appeared in in Religion and the Arts 20 (2016).
CONFERENCES AND TALKS
Professor Erickson presented the paper “Alternate Reformations: Finnegans Wake and Religious Iconoclasm” at the International James Joyce Symposium, which was held in London, UK, in June 2016.
Erickson presented the paper “Questioning Body and Blood in True Blood and The Leftovers: HBO and the Heretical Imperative” the 2016 International Society of Heresy Studies conference, which was held in New York, New York, in June 2016.
Erickson presented the paper “New Paradigms of Academic Writing: Fan/Critic/Student/Academic” at the Fan Studies Network conference, which was held in Norwich, UK, in June 2016.
Erickson presented “‘The Time Lord’s Body is a Miracle’: Exploring Religious Spaces in Doctor Who” at the Popular Culture Association Conference, which was held in Seattle, Washington, in March 2016.
Erickson organized the second conference of the International Society of Heresy Studies: “Heresy, Belief, and Ideology: Dissent in Politics and Religion,” which was held at Gallatin, June 1-3, 2015.
Erickson presented his paper "Monks, Vampires, Goths, and Time Lords: The Posthuman Ruins of Whitby Abbey" at the 2015 Medieval in the Modern World Conference in Lincoln, UK, in July 2015.
Along with Scott Korb, Erickson organized the David Foster Wallace and Ethics conference at Gallatin, held in April 2015.
Professor Erickson played in a contemporary music concert with the Infuse Ensemble: Espace des arts sans frontiers in Paris, France, in June 2016.